The movie had interesting (unconventional and funny) characters, clever cinematography (symbolizing symmetry and asymmetry of the character relationships), and an unexpected ending, which truly saved itself – speaking of saving, Dylan O’Brien’s stellar performance also saved the movie. On the surface, the movie seemed to be about loneliness and grief, but in fact it was more about compassion and redemption. Nevertheless, it was hard to believe that a morally wrong and manipulative behavior could be easily condoned. If this had been to be more convincing, the life experience of the two main characters should have had similar weights, or what they gave and received should have been more balanced. Some of the plot points were also a bit too cliché. Maybe I am being too judgmental because I like seeing gay characters in films to truly live their lives.