In a way, a revenge story is doomed from the start because there is never truly a satisfying ending. From the beginning, the film is quite forthcoming about what we’re dealing with, and the rest of the journey is about how we will resolve this. It feels as if we’re fellow passengers in the minivan in the movie. While presenting life histories of diverse victims through this ride, the film takes several unpredictable turns that are strikingly human, which remind us that despite the temptation of violence, we can choose to differ ourselves from our aggressors. That does not mean the raw emotions of being oppressed, silenced, detained, and violated are diminished. The film makes sure the audience hears the roar of the victims’ anger, fear, and sorrow. As anti-authoritarian films feel less distant than ever, the final scene is incredibly effective at leaving us haunted as the end credits roll.